This approach to home design is meant to assist the faint-of-heart amateur in overcoming the challenge of creative design.
1. Would you bake a cake without a list of ingredients? Mostly this step is about creating a scrapbook, describing the lifestyle to be lived in the home. I recommend a few Sunday drives around historic neighborhoods.
2. Would you assemble a bicycle without instructions? If your house is to have “good bones,” you’ll need to make at least one construction site visit.
3. Set a realistic construction budget (no need to do a line item take-off), take take a trip to the lumber yard.
4. Learn to “translate” the language of realtors, contractors and mother-in-laws (the advice you will surely receive from all the sidewalk superintendents in your life.)
Conversation is about speaking and rehearsing and then writing down the thousand words that is the picture of your dream home. If we don’t yet have the picture we must write the description.
We have all walked through houses that only exist in author’s imaginations, sea captain’s homes, medieval castles, antebellum plantation homes. It is because they have been described to us in vivid and exacting detail.
The work of design is A.R.T. (approximate and adjust-revise and recognize-transcribe and trace). These tasks start where your elementary school art teacher left off.
When you start drawing, it should in a sense be from memory, not trying to recreate exactly something you have seen you like, but recreate the feeling and emotion of your “scrapbook” collection. Try to push yourself to get as many ideas on paper as you can. Don’t try and solve the whole problem at once, just play with it for now.
Get ready to access your inner child, get ready to scribble outside the lines. Put your wastebasket at three point distance, wad up your first dozen attempts (at least), launch them (remember your follow through). Your tools will be fat magic markers and stubby crayons, “bum wad” (rolls of thin trace paper available at most art stores).
Trial and error is our method of choice. Sure it would be safer to build what everyone else is building, (while you’re at it, draw in the Green Mini-Van in front). Listen, why is it after looking at twenty thousand pre-drawn house plans on the internet you haven’t found one you like? It’s because they lack one essential element in the design process; the Client. Most architects would agree that their designs only improve after meetings with a client. Clients push designers to put more of their character, personality and lifestyle into the final design.
It has been said architectural design is only about recognizing the solution, another talent every reader has in his or her possession. Maybe you want a house that reminds you of the feeling of the house you vacationed in at the “Cape” when you were a child or the “painted lady” on Main Street. The cliché, “I’ll know it when I see it” is an appropriate sentiment.
We’ve all encountered the friendly retiree watching diligently over a construction project’s progress, we’ve all been on the receiving end of one or another relative’s opinion on how they would improve our home. And alas, even strangers may only be too happy to offer their two cents worth of advice for your building project. It comes with the territory. Criticism is an absolute necessity to improving your design, you must learn to filter these well-intentioned comments, consider them and test them, and be confident enough to revise your design (or not).
Architectural design shouldn’t be thought of as a foreign language in need of interpretation, but rather an unspoken language you already are fluent. Like many second generation immigrants, we can hear and understand the language, but haven’t yet learned how to put it to paper. And yes, all this can be accomplished with a fourth grader’s skill set; after all this method is called “tracing.”